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Register a free 1 month Trial Account. Download as many books as you like Personal use 3. Everywhere there are blazing eyes, roaring maws; chests bulge, claws extend, teeth gnash, flesh ripples. The differences between folios , 78 and are instructive in this regard. In the first version of , the work ends with the appearance of the three Theological Virtues. Tempted by inert matter in G. The storyline underwent alterations in the following text and the three Theological Virtues disappeared.
In this new version folio 78 , Saint Anthony goes back in time to the very beginnings. Hippopotamus, traced copy made by F.
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And this mounts up forming pyramids, a complex pile of diverse bodies, each of which stirs with its own particular motion, while the whole oscillates, rumbles and glistens in an atmosphere streaked by hail, snow, rain and lightning, where sand storms, whirlwinds and smoke clouds sweep by, and which is also illuminated by glimmers of moonlight, rays of sunshine and a greenish twilight.
Conard, , pp. Suffocating under their own numbers, multiplying as they come into contact, they climb over one another; and move about Anthony with a surging motion as though the ground were the deck of a ship.
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He feels the trail of snails upon the calves of his legs, the chill of vipers upon his hands; and spiders spinning about him enclose him within their web. But the monstrous circle breaks, parts, and the sky suddenly becomes blue; and. For the edition, the text was completely revised using scientific and philosophical concepts that had been circulated in the s and early s, while the allusion to the Flood disappeared.
On the other hand, in this passage, Flaubert introduces a unicorn. According to Jean Seznec, he reused the description of the animal given by Samuel Bochart in Hierozoicon , a work cited by F. Pouchet in the late s. It is possible that the naturalist may have given Flaubert advice on his reading see the list drawn up by Jean Seznec.
Allestry, , p. They clasp each other about the waist, and sang alternately:. Pouchet since the s, spontaneous generation or heterogeny featured in all versions of The Temptation. In , spontaneous generation explained the birth of peoples in terms of the putrefaction of corpses. In , the episode disappeared from the manuscript.
In , the subject no longer appeared in a conversation between the Devil and Saint Anthony, but rather in a duet sung by Death and Lust, which underlined the interdependence of life and death. Flaubert seems to have been influenced by F. Insects that no longer have stomachs continue to eat; dried up ferns begin to bloom again; missing limbs grow back. Finally, he notices little globular lumps as big as the head of a pin and surrounded with cilia.
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They are vibrating. O joy! I have beheld the birth of life! I have seen the beginning of motion! The blood in my veins is racing so hard that they are fit to burst! I long to fly, to swim, to bark, to bellow, to howl!
Unlike Edgar Quinet, who begins his story with the origins of life, Flaubert ends his work on this episode.
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